Showing posts with label nirvana. Show all posts
Showing posts with label nirvana. Show all posts

Friday, May 31, 2019

My Favorite Part of Danny Goldberg's Book About Kurt Cobain...


If you'd have told twelve-year-old me literally WALKING to buy my copy of the bootleg "Roma" CD from the neighborhood head shop (wonderfully named The Groove Shoppe) that someday my fandom of Nirvana would lead to a significant mention in a book written about Kurt Cobain by the band's manager...well, I probably would've shit myself.






Sunday, September 30, 2018

Why I Hate Discogs - OR - Stop Making Me Want Records I Didn't Previously Know Existed

This was originally for the Discogs blog, hence the prominent deprecation of the brand.
I’ve got enough I’m searching out already. I’ve got my hands full — from unknown, forgotten and unheralded discs from the region of my birth (Detroit, MI) spanning all popular musical formats to diving way too deep into local spoken word releases, ethnic Serbian and Croatian songsSpanish language conjuntos from Mexicantown, Arabic language 78s and everything in between. I will never be able to buy (or even just catalog) all the records that I want and that’s a terrible feeling I still can’t come to grips with.
But every once in a while, I’ll cruise through master release lists on Discogs for titles I’m already quite well in possession of. Started off with the MC5 and the Stooges…a maple leaf on the back cover of Canadian pressings, a size/typeface change, the most minuscule label variations. These things got me pumped. But it’s a tricky game. How far does one go? How different does it have to be for me to care?
There’s no right or wrong answer here, but I can say this compulsion has driven me further than I’d ever anticipated.
Ben Blackwell organizing his record collectionPhoto by Eilon Paz for Dust & Grooves.
One day last year I was cruising through the master list for Nirvana’s In Utero and was surprised to see an In Utero cassette that originated from Saudi Arabia. Even more surprising was the cover art that completely censored the musculature of the female body depicted on the front cover, almost as if to partially appropriate the chador worn by some Muslim women. Sure, the face, arms, feet and wings were exposed, but everything in between was blacked out.
This FASCINATES me. Just in the same way that the Russian copy of Sonic Youth’s Daydream Nationfascinates me. While said release is unofficial, the fact that the wizards over at Antrop whittled down the double LP to a single LP is shocking. The fact that, rather than depict the Gerhard Richter painting of a candle on the front cover and instead just put a picture of a candle, the cover is absolutely beautiful. In communist Russia, candle lights you! They didn’t have time to try and use the real cover. They just had to make do with the materials they had at hand. I love this approach.
The quest to track down a copy became a mission. With some help, I even had Diogenes_the_Fox on the case. Ultimately, a copy would show up on an eBay auction in March, paired with a Saudi cassette copy of Nirvana’s Nevermind as well. I put in an insane bid immediately. A few days later, I noticed a copy of the Saudi In Utero for sale on Discogs. A little bit cheaper than the starting price on the eBay auction, I figured “what the hell?” and just bought it outright. The auction was soon removed, and I was happy the search had only lasted me about six months.
Ben Blackwell with his record collectionPhoto by Eilon Paz for Dust & Grooves.
Until I did some digging and through saved screen grabs I was able to find out that the Saudi Arabian cassette of Nevermind (which did not have a Discogs entry at the time) actually has a DIAPER drawn on to cover the penis of the baby depicted as swimming on the album artwork.
Shit.
Reached out to my Discogs seller and of course, he was the guy selling on eBay as well. I ended up paying MORE money that had I just gone through with the auction as I bid in the first place, but nevertheless, just shy of a month later I was happily in the possession of these two weird, quasi-unbelievable artifacts of one of my favorite bands and an authoritarian regime that isn’t SO bad as to completely ban or outlaw Western culture — but they’ll be damned if you get to see any naughty bits in the process.
Were it not for Discogs, I would have never even known these records EXISTED, let alone be able to track them down. That is both a blessing and a curse. I accept it happily.
Ben Blackwell with rare cassettes

Wednesday, May 30, 2018

How A Letter From A Failing Independant Record Label Buoyed The Self-Esteem of a Clueless 15-year-old Virgin and Set Him on a Path of Vinyl Righteousness...


Pulled this one out of the basement recently and was shocked at how responsive, thoughtful and courteous the entire conversation was. When I emailed some of my friends at Sub Pop, their initial response was "Uh oh, how mean a reply was it?"

But this simple letter, along with some "Powered by Sub Pop" stickers, two Eric's Trip pins, something promotional for the Blue Rags (guitar picks? I can't exactly remember) was just the slightest nudge I needed to venture further into the world of independent record labels and mail order. I was 15 years old. I was already asking for classic albums on vinyl. I was salty that the address on the Foo Fighters first album never wrote back to me.  I thought I was clever telling Sub Pop they were "swell."

I can never remind myself enough, but the smallest gesture can sometimes have the largest, most unexpected impact. Deep down inside, I don't think I would be on the exact path I'm on today 21 years later had I not received such a caring letter from a record label I adored.