Cake "Fashion Nugget"

Cake

Fashion Nugget

scums stats: recent 180-gram black vinyl version...but I would happily trade something of appropriate worth for an original '96 pressing

Man, isn't it crazy what was allowed to become a hit back in the mid-Nineties? I've got the framework of an essay percolating in my head about the insanities of true, top of the chart hits from the era. It's all mind blowing. "The Distance" is such a weird song from a weird band that should have NEVER had a chance in the record business world as I understand it. So obviously, I relish in its existence. 

But it's so damn good. Freshman year of high school me bought the CD stat. And honestly, I've probably grown to the point that "The Distance" is pretty forgettable for me now. I mean, it's alright...but have you listened to "Frank Sinatra"?

Damn. For at least 12 years after this came out I would scribble teenaged sounding "poetry" or "lyrics" that was entirely cribbed from the meter and scheme of "Frank Sinatra." To this day, every time I hear it, I still smile and perk up. The muted, understated organ intro...just stellar in every way. 

Beyond that, my teenaged guitar/drums duo recorded a version of "I Will Survive" in the attic at 1203 Ferdinand back in '97 and just flipping through all these songs, they are all just so solid, timeless really...I mean, is there any other album out there that has covers of Gloria Gaynor and Willie Nelson on it? I don't think so.

Whirlwind Heat told me that they decided to record their "Types of Wood" album at Paradise Studios because that's where Cake recorded Fashion Nugget and is claimed to have the best drum sound in all of the studios in America. On top of that, Greg Brown's guitar tone and playing here just stands alone in regards to what was available and accessible to a young kid like me at the time. It sounded...like a guitar should sound. 

I've never bought any other Cake records (never even seen any of the 7"s culled from this LP...so all have just been added to my Discogs wantlist) and despite the 8xLP boxset going for A THOUSAND DOLLARS on the secondhand market, I think I'm perfectly content just spending my time with this one. Fashion Nugget has yet to bore me or do me wrong.

Willie Nelson "No Place For Me" b/w "Lumberjack"

 

No Place For Me b/w Lumberjack

scum stats: estimated 300 copies pressed, supposedly 3-5 known in collections

Gotta say I was pretty wowed to find out that Willie Nelson's first record came out of Vancouver, Washington. Not Texas? Not Nashville? I'd known that Loretta Lynn's career had started in the Pacific Northwest, but I thought that was an anomaly, not something that had any parallels.

Kinda goes without saying that this single is hard to find. Rumor has it that the disc wasn't even available for purchase back when it was made in 1957. Supposedly people had to write in to the radio station KVAN where Willie was a DJ at the time (Vancouver which is right across the river from Portland, Oregon) and say how much they loved the record and then a copy would be mailed to them.

Damn...doesn't that just sound crazy thinking about? It certainly doesn't happen like that any more.

The a-side "No Place For Me" feels like a pretty solid, of-the-era country tune, Willie's voice rich and sonorous and strengthened by reverb, buoyed by picky guitar and with some fiddle buried deep in the mix. Before you know it, the damn thing is over in less time than it takes for me to microwave popcorn. That feels a little bit strange, could be good or bad depending on your mood or the day I suppose.

The flip is written by another DJ at KVAN at the time, Leon Payne, supposedly written about a local timber faller named Ray Norris. The stop-and-go, gas-and-brakes chug of this song feels pretty remarkable and noteworthy. The verse vocals presented largely without any accompaniment, the heavy-breathing intro and outro...just feels like there's something beyond the "old hat" vibe that most independent, Starday-pressend country singles from this time. Almost bordering on spoken jazz, Ken Nordine vibes. Heady stuff for '57, at least for me looking back 65 years later.

While it might be absolutely NO indication of what Willie would do come the rest of his career, man, first records with tales like this behind them just get me excited. Good times and good vibes.