Here are my liner notes for the Raconteurs "Live at Montreux" DVD. I figure no one is crazy enough to buy the whole thing just to read what I have to say, so here it is in its entirety.
For a band whose every move has been overly documented since the instant their existence was known, there's still a large part of the Raconteurs story that's largely untold.
While
Jack White was at the time the most
well-known musician amongst the self-proclaimed "new band made up of old
friends,” it is oftentimes overlooked that Benson had the earlier success. His impressive debut album, One
Mississippi, was released on Virgin Records in
1996. Benson supported the likes of the Wallflowers, saw his song "Insects
Rule" covered by the Foo Fighters and even enjoyed a successful tour of
Japan all before the White Stripes would play their first live show.
Benson
moved back to his hometown of Detroit in 1998 after a stint living in
California and soon met (and hit it off with) White. Brendan was the first
artist to ever cover the White Stripes when he performed “Sugar Never Tasted So
Good” at the Magic Stick in Detroit on November 27th, 1998.
At that same time, Jack Lawrence and Patrick Keeler were
barnstorming the Midwest as the rhythm section in the Cincinnati-based act the
Greenhornes, quickly making a name for themselves as the nation's premier
garage/soul band. It was a given then that all future Raconteurs would know
each other by the release of the Greenhornes debut album Gun For You in May of 1999, but that it would take until 2004 for
them all to collaborate was almost
odd given the collabo-happy times they were enjoying.
There were previous pairings of the friends that would
happen first. White and Benson did a one-off performance together (doing songs
each had written) at the Garden Bowl in Detroit on March 14th, 1999
and recorded demos of songs like "Now Mary" and "You've Got Her
in Your Pocket" in Brendan's attic later that spring. Benson would later
appear in the documentary Detroit Rock
Movie performing "…Pocket" while the White Stripes would begin to
cover Brendan's "Good to Me" live in the fall of '99 and released
their version in 2003.
Benson and White also performed together in the short-lived
and posthumously-named Jack White and the Bricks along with Kevin Peyok (the
Waxwings) on bass and Ben Blackwell (the Dirtbombs) on drums. While they only
existed for a handful of shows in the summer/fall of '99, their first
performance was actually opening for the Greenhornes on the Garden Bowl Lanes
on July 9th…White's 24th birthday.
With a set comprising mainly of songs written by White that
had yet to be appropriated by the White Stripes, the Bricks were never a
serious concern to any of its participants. The band is only really remembered
because of a decent audience recording (easily found online) made live at the
Gold Dollar in Detroit on September 16, 1999.
Come September 2002, the White Stripes were personally
selected by Jeff Beck to serve as backing band on songs from his Yardbirds era
in a career spanning 40th anniversary concert at London's Royal
Festival Hall. Needing a bass player to fill out the group, the Stripes tapped
Jack Lawrence for the spot and the result was an unqualified success, as the
YouTube videos will attest.
By August 2003,White had Keeler and Lawrence serve as the
rhythm section for the sessions that would yield Loretta Lynn's universally
acclaimed Van Lear Rose. Released in
April 2004, the album would go on to win two Grammy's and found White, Lawrence
and Keeler backing Lynn for performances on The
Today Show and The Late Show with
David Letterman. It would also seemingly be the last necessary step before
all members of the Raconteurs would finally play together.
In the summer of 2004 Benson, recording in the attic of his
grand Detroit home, was stuck on an uncompleted lyric of “Find yourself a
girl and settle down, live a simple life in a quiet town.” Good friend,
neighbor and occasional musician White came up with the fitting conclusion and
de facto song title, “Steady as she goes.” Slide in Keeler and Lawrence as the
best bassist and drummer around and it all fits together like pieces to a
musical puzzle…while they'd all been knocking about in the same space for
years, they were finally locked-in together in the right configuration.
The sessions in Benson's attic at 419 E Grand Boulevard (a
house that at most recent check was boarded-up) yielded the ten tracks that
would serve as their debut album Broken
Boy Soldiers. During overdubs White managed to lay down a demo of "As
Ugly As I Seem" which would later make its way into the Stripes'
repertoire.
With all songs
written and produced by the White/Benson pairing, the album was more-or-less
finished by the beginning of 2005. The fact it wouldn't see release for over a
year was understandable as '05 saw the White Stripes release Get Behind Me Satan, the Greenhornes East Grand Blues and Benson The Alternative to Love. Each album was
accompanied by extensive touring.
The bulk of the Stripes' dates had the Greenhornes as openers while
Benson opened a handful as well.
The Raconteurs' first live performance was an unplanned
occurrence on October 1st, 2005. The event was a private party held
in White's home at 1731 Seminole in Detroit's Indian Village and followed a
Stripes concert at the Masonic Temple. While the Greenhornes served as the
planned entertainment, with all four members in attendance it didn't take much
urging to get the Raconteurs playing. White's house, where …Satan was recorded, was less than a mile
from the attic where …Soldiers was
recorded.
White
moved to Nashville in December 2005 and it wasn't long before the rest of the
Raconteurs were rehearsing in his living room (footage of which is viewable on
Third Man Records' Vault fan club), pulling up their stakes and moving there
too.
The public wouldn't hear music from the Racs until XL
Records released 1000 copies of the 7" single of "Steady, As She
Goes" in January 2006. Their public live debut would come a few months
later on March 20th, 2006 in Liverpool, England but from there, the
rest of the story has already been told.