Ten years of emails and phone calls, contractual negotiations, in person meet-ups, the physical relocation of a mess of tapes and probably a bunch of shit I'm forgetting. This is what it took to get Ted Lucas released on Third Man. And for me, spiritually, it was absolutely worth it.
There is so much I could write about this record, but at the moment it feels best to point you to an interview I did with local NPR station WNXP....
There's audio of me flapping my gums as well as fairly insightful text excerpts of said gum-flapping at that link. If I can further belabor maybe just two points touched on in the interview there, it's as follows:
- there is SO MUCH more Ted Lucas music to sift through and to share. Like, it might be more than 100 reels worth of material. Across every and all iterations of bands and styles that Ted embodied, from commercial jingles he wrote on spec all the way down to field recordings and answering machine tapes, Ted chronicled and saved just about everything. And film footage? You better believe it. Thank god. I said recently that Ted is the perfect combination of an artist who was prolific, an artist who was a genius, and an artist who was great at documenting himself. Those three things almost never intersect. If you're lucky you can get 2 out of 3.
- the digital bonus track of "Love Took A Trip" is just magnificent in every way. I cannot stop listening to it even now, months after first hearing it. This is the song that overwhelmed me and brought me to tears in the Turnip Truck (local grocery store) parking lot. As a raga, as a blues ramble, as an acoustic paean to the twists and turns that are inherent to the nature of "love" as it were...this song inhabits at least three different personas and each one of them is independently brilliant. But married together they take on a profile larger than the sum of its parts.
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